9 March 2025
Global headlines about Jeffrey Epstein and Ghislaine Maxwell often focus on the criminality of these two perpetrators. Now Lucia Osborne-Crowley, an Australian journalist grounded by her own lived experience of survival, reveals the powerful, lesser-known stories of courage of the women they victimised.
| Date | Time |
| Sunday 9 March 2025 | 10:30am |
| Ticket | Price |
| Standard | $35 |
$8.95 booking fee applies per transaction
Prices correct at the time of publication and subject to change without notice. Exact prices will be displayed with seat selection.
The only authorised ticket agency for this event is Sydney Opera House. For more information about Authorised Agencies, see the frequently asked questions below.
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9am, Tuesday 14 January 2025
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9am, Wednesday 15 January 2025
General Public tickets on-sale
9am, Thursday 16 January 2025
Wheelchair accessible:
There are a number of wheelchair and companion seating locations in our theatres. To book accessible seating contact Box Office:
Telephone
+61 2 9250 7777
(Monday to Friday, 9am-5pm AEST)
Email bookings@sydneyoperahouse.com
Find out more about accessibility at Sydney Opera House.
Run time
This talk runs for approximately 60 minutes.
Event duration is a guide only and may be subject to change.
Age
Recommended for ages 15+.
Jennifer RobinsonA courageous silence-breaker. We need more journalists like her.
Useful information:
A new blueprint for meaningful reparative justice
Perhaps more than any other journalist, Lucia Osborne-Crowley has meticulously detailed the nightmares that Jeffrey Epstein and his partner-in-crime Ghislaine Maxwell inflicted on their victims. Enduring pre-dawn starts and sub-zero temperatures, Osborne-Crowley was one of only four reporters in attendance in the Brooklyn courtroom every day as Maxwell was eventually found guilty of five counts of sex-trafficking of minors.
In The Lasting Harm, longlisted for the 2024 Walkley Book Award, she details the trial and what followed, sharing the real impact of sexual trauma on the women victimised by the abuse and focusing on the harrowing testimonies that ultimately led to conviction. Her unique perspective offers more than just a recounting of events: it’s a critique of a system that criminalises perpetrators while failing to deliver justice for survivors, regardless of the legal outcome.
Presented by Sydney Opera House
Lucia Osborne-Crowley (she/her)
Lucia Osborne-Crowley is an Australian-trained lawyer, legal reporter, journalist, essayist and author of I Choose Elena, the Somerset Maugham Award–winning My Body Keeps Your Secrets and The Lasting Harm. Her news reporting has appeared in ABC News, the Guardian, Huffington Post, the Wall Street Journal, GQ Australia, the Saturday Paper and Women's Agenda. Her long-form writing has appeared in the Lifted Brow and Meanjin.
Lucia's forensic but accessible reporting of the Maxwell trial was described as some of the best and most trauma-informed coverage of the case, and it saw her social media following grow by over 35,000 followers. She has appeared as an expert journalist on the Maxwell and Prince Andrew cases on several news channels.
She is currently working for Law360 as a court reporter from London.
Grace Tame (she/her)
host
Grace Tame is a survivor of child sexual abuse, author, columnist, campaigner and advocate for fellow survivors. She is the Founder of The Grace Tame Foundation (GTF), a not-for-profit organisation which creates and funds initiatives to prevent, disrupt and respond to child sexual abuse. In 2022 she released her number one best-selling memoir, The Ninth Life of a Diamond Miner, which was shortlisted for three Australia Book Industry Awards. Between the ages of 18 and 24, Grace lived and worked in the United States as an artist. She now resides in her hometown of Hobart and regularly competes in ultramarathons around the country. In December 2023, she broke the female course record for the Bruny Island 64km Ultra and in May 2023 won the Great Ocean Road Ultra as the first women and 6th overall. Grace raced Bruny Island again in December 2024 and smashed her previous record by over 8 minutes. She is a regular columnist for titles including The Monthly and The Saturday Paper. For her contribution to legal reforms that allow child sexual abuse survivors to tell their own stories publicly, Grace was named the 2021 Australian of the Year.
Plan your visit
Venue information
Our foyers will be open 90 minutes pre-show for Concert Hall and Joan Sutherland Theatre performances, and two hours pre-show for Western Foyer venue performances. Refreshments will be available for purchase from our theatre bars.
All Sydney Opera House foyers are pram accessible, with lifts to the main and western foyers. The public lift to all foyers is accessible from the corridor near the escalators on the Lower Concourse and also in the Western Foyer via the corridor on the Ground Level (at the top of the escalators). Pram parking will be available outside the theatres in the Western Foyer.
Getting here
The Sydney Opera House Car Park, operated by Wilson Parking, is open and available to use. Wilson Parking offer discounted parking if you book ahead. Please see the Wilson Parking website for details.
Please check the Transport NSW website for the latest advice and information on travel. You can catch public transport (bus, train, ferry) to Circular Quay and enjoy a six minute walk to the Opera House.
Frequently asked questions
Ticket purchases and collection at our Box Office is discouraged and eTicket or postal delivery methods should be used, wherever possible. However, if you are collecting your tickets from the Box Office, we recommend doing this at least 60 minutes before the event starts. If you have already received your tickets, the venue doors will be open 45 minutes pre-show for Joan Sutherland Theatre performances, and 30 minutes pre-show for Western Foyer venue performances. Please take your seats as soon as you arrive.
If you are late, we will seat you as soon as we can and, where possible, in your allocated seat. However, to reduce movement in the venue as well as minimise disruption to the performance and other patrons, ticketholders may be seated in an allocated latecomer’s seat. Please be aware that some events have lock-out periods. In these cases, latecomers will be admitted at a suitable break in the performance. On occasions, this may not be until the interval, or at all where there is no interval.
Details of our right to refuse admission can be found in our General Terms and Conditions for Tickets and Events.
In accordance with our venue security procedures, Opera House security will be scanning and checking bags under the Monumental Stairs, prior to entering the building. Bags will be scanned by an x-ray machine, and staff will wear appropriate personal protective equipment (PPE) when handling your belongings, such as gloves. Cloaking facilities will be open 60 minutes pre-show for Concert Hall and Joan Sutherland Theatre performances, and 60 minutes pre-show for Western Foyer venue performances. However it is strongly encouraged that you travel lightly to minimise contact and queuing. Any bags larger than an A4 piece of paper will need to be checked into the Cloak Room.
The authorised agency for this event is the Sydney Opera House.
Only tickets purchased by authorised agencies should be considered reliable. If you purchase tickets from a non-authorised agency such as Ticketmaster Resale, Viagogo, Ticketbis, eBay, Gumtree, Tickets Australia or any other unauthorised seller, you risk that these tickets are fake, void or have previously been cancelled. Resale restriction applies. For more details, please refer to our General Terms and Conditions for Tickets and Attendance at Events.
Please contact Box Office on +61 2 9250 7777 as soon as possible to advise if you can no longer attend.
Foyers will be open 90 minutes pre-show for Concert Hall and Joan Sutherland Theatre performances, and two hours pre-show for Western Foyer venue performances. Refreshments will be available for purchase from our theatre bars.
The venue doors will be open 45 minutes pre-show for Concert Hall and Joan Sutherland Theatre performances, and 30 minutes pre-show for Western Foyer venue performances.
Please bring a credit or debit card for any on site purchases to enable contactless payment. You’re welcome to bring your own water bottle but no other food and drinks are permitted inside our venues.
The health, safety and wellbeing of everyone at the Sydney Opera House is our top priority. In line with this commitment, the Opera House became a smoke-free site in January 2022. Read our Smoke-free Environment Policy.
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