9 March 2025
As the Trad Wife phenomenon rises up the algorithm, clips of women collecting newly laid eggs and baking bread are finding their way into “For You” pages everywhere. Rejecting the grind of girlbossing has its allure, but is this trend harmlessly traditional or scarily archaic?
Co-curated by Michelle Law
Date | Time |
Sunday 9 March 2025 | 1pm |
Ticket | Price |
Standard | $35 |
$8.95 booking fee applies per transaction
Prices correct at the time of publication and subject to change without notice. Exact prices will be displayed with seat selection.
The only authorised ticket agency for this event is Sydney Opera House. For more information about Authorised Agencies, see the frequently asked questions below.
Sydney Opera House Insiders pre-sale
9am, Tuesday 14 January 2025
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What’s On e-newsletter pre-sale
9am, Wednesday 15 January 2025
General Public tickets on-sale
9am, Thursday 16 January 2025
Wheelchair accessible:
There are a number of wheelchair and companion seating locations in our theatres. To book accessible seating contact Box Office:
Telephone
+61 2 9250 7777
(Monday to Friday, 9am-5pm AEST)
Email bookings@sydneyoperahouse.com
Find out more about accessibility at Sydney Opera House
Run time
This talk runs for approximately 60 minutes.
Event duration is a guide only and may be subject to change.
Age
Recommended for ages 15+.
Hannah Neeleman, Ballerina FarmOur first few years of marriage were really hard, we sacrificed a lot … I gave up dance, which was hard. You give up a piece of yourself.
Useful information:
What’s behind ballerina farms, #mormonmoms and the simple life?
Join this spirited conversation as our intrepid panel explores the many questions about how and why a movement centred on servitude has come to dominate the zeitgeist. Is it possible to separate the aesthetics of homesteading from the entrenched gender norms on display? What is the role of wealth for those able to choose this time-consuming version of domesticity? Is there a regressively political element to household labour being the work of women? And why can’t we look away? Follow us down the rabbit hole as we examine how these influencers perform the roles of wife and mother for public consumption and how feminism fits into this story.
Presented by Sydney Opera House
Livestream this event
Can't make it to All About Women in person? Watch this talk live streamed from the Opera House stage directly to your living room.
Megan Agnew (she/her)
Megan Agnew is a senior features writer for The Times of London. After spending the first part of her career in the London office, she has been based in the US for the last year, where she writes magazine long reads. Last summer, her interview with Hannah Neeleman, otherwise known as Ballerina Farm, went viral, the most-read Times article in history, and triggering heated debate about motherhood, domesticity, social media culture and the meaning of modern feminism. Megan's writing otherwise covers the cross-over between politics and culture, travelling to weird and wonderful corners of the country each week, from the oil fields of West Texas to a "Maga warehouse" in Long Island. She has been highly commended for feature writer of the year at the Press Awards and named one of MHP's "30 To Watch" young journalists.
Jessie Tu (she/her)
Jessie Tu is a journalist for Women’s Agenda. Her bestselling debut novel, A Lonely Girl is a Dangerous Thing, won the 2021 Best Literary Fiction at the Australian Book Industry Awards. Her second novel, The Honeyeater was released in July 2024.
Rosie Waterland (she/her)
Rosie Waterland is an author, comedian, podcaster and public speaker, but mostly calls herself a writer. Her first two books, The Anti-Cool Girl and Every Lie I’ve Ever Told, were critically acclaimed, national bestsellers. Her podcasts Mum Says My Memoir is a Lie and Just the Gist have over 20 million combined downloads, earning her an Australian Commercial Radio Award and Australian Podcast Award. As well as nationally touring one-woman shows, Rosie has written for multiple TV projects and is a regular fixture across Australian stage, screen and radio. Broken Brains, a non-fiction book Rosie co-authored with Jamila Rizvi, is set to be published in May 2025, followed by her first work of fiction in 2026.
Nakkiah Lui (she/her)
moderator
Nakkiah Lui is a writer/actor/director and Gomeroi/Torres Strait Islander woman. She began her playwriting career in 2013 with her first play, This Heaven and since then she has worked with every major theatre company in Australia. In 2012, Nakkiah was the inaugural recipient of both The Dreaming Award from The Aboriginal and Torres Strait Island Arts Board of the Australia Council and the Balnaves Foundation Indigenous Playwright Award. In 2018, Nakkiah was the recipient of the Patrick White Playwrights Fellowship at Sydney Theatre Company. In 2019, Nakkiah Lui was a winner of the NSW Premiers Literary recipient of the Nick Enright Playwriting Prize. In 2021, she was the recipient of the Russell Prize for Humour Writing for her play Black is the New White.
Nakkiah is an AACTA and Logie nominated writer and actor. She was an actor/writer/director/producer of the ground-breaking series, Black Comedy, which ran for four seasons from 2014-2019. From then she went on to create/write/star in the award-winning series, Kiki & Kitty which aired on ABC in 2017. Most recently, Nakkiah has been the co-creator/showrunner/star of the upcoming series, Preppers, as well contributing to a number of Australian and international drama and comedy series, such as Total Control and The Great.
Plan your visit
Venue information
Our foyers will be open 90 minutes pre-show for Concert Hall and Joan Sutherland Theatre performances, and two hours pre-show for Western Foyer venue performances. Refreshments will be available for purchase from our theatre bars.
All Sydney Opera House foyers are pram accessible, with lifts to the main and western foyers. The public lift to all foyers is accessible from the corridor near the escalators on the Lower Concourse and also in the Western Foyer via the corridor on the Ground Level (at the top of the escalators). Pram parking will be available outside the theatres in the Western Foyer.
Getting here
The Sydney Opera House Car Park, operated by Wilson Parking, is open and available to use. Wilson Parking offer discounted parking if you book ahead. Please see the Wilson Parking website for details.
Please check the Transport NSW website for the latest advice and information on travel. You can catch public transport (bus, train, ferry) to Circular Quay and enjoy a six minute walk to the Opera House.
Frequently asked questions
Ticket purchases and collection at our Box Office is discouraged and eTicket or postal delivery methods should be used, wherever possible. However, if you are collecting your tickets from the Box Office, we recommend doing this at least 60 minutes before the event starts. If you have already received your tickets, the venue doors will be open 45 minutes pre-show for Joan Sutherland Theatre performances, and 30 minutes pre-show for Western Foyer venue performances. Please take your seats as soon as you arrive.
If you are late, we will seat you as soon as we can and, where possible, in your allocated seat. However, to reduce movement in the venue as well as minimise disruption to the performance and other patrons, ticketholders may be seated in an allocated latecomer’s seat. Please be aware that some events have lock-out periods. In these cases, latecomers will be admitted at a suitable break in the performance. On occasions, this may not be until the interval, or at all where there is no interval.
Details of our right to refuse admission can be found in our General Terms and Conditions for Tickets and Events.
In accordance with our venue security procedures, Opera House security will be scanning and checking bags under the Monumental Stairs, prior to entering the building. Bags will be scanned by an x-ray machine, and staff will wear appropriate personal protective equipment (PPE) when handling your belongings, such as gloves. Cloaking facilities will be open 60 minutes pre-show for Concert Hall and Joan Sutherland Theatre performances, and 60 minutes pre-show for Western Foyer venue performances. However it is strongly encouraged that you travel lightly to minimise contact and queuing. Any bags larger than an A4 piece of paper will need to be checked into the Cloak Room.
The authorised agency for this event is the Sydney Opera House.
Only tickets purchased by authorised agencies should be considered reliable. If you purchase tickets from a non-authorised agency such as Ticketmaster Resale, Viagogo, Ticketbis, eBay, Gumtree, Tickets Australia or any other unauthorised seller, you risk that these tickets are fake, void or have previously been cancelled. Resale restriction applies. For more details, please refer to our General Terms and Conditions for Tickets and Attendance at Events.
Please contact Box Office on +61 2 9250 7777 as soon as possible to advise if you can no longer attend.
Foyers will be open 90 minutes pre-show for Concert Hall and Joan Sutherland Theatre performances, and two hours pre-show for Western Foyer venue performances. Refreshments will be available for purchase from our theatre bars.
The venue doors will be open 45 minutes pre-show for Concert Hall and Joan Sutherland Theatre performances, and 30 minutes pre-show for Western Foyer venue performances.
Please bring a credit or debit card for any on site purchases to enable contactless payment. You’re welcome to bring your own water bottle but no other food and drinks are permitted inside our venues.
The health, safety and wellbeing of everyone at the Sydney Opera House is our top priority. In line with this commitment, the Opera House became a smoke-free site in January 2022. Read our Smoke-free Environment Policy.
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