Music on Tubowgule Eric Avery Melanie Mununggurr + Nardi Simpson
26 – 27 June 2025
In the Studio
Classical Music
Experience a stunning evening of music with First Nations composers and their collaborators. The first part of the evening will feature spellbinding violinist, vocalist, dancer and composer Eric Avery. The second half of the show will feature Melanie Mununggurr and Nardi Simpson with Ensemble Offspring and Arafura Music Collective.
Date | Time |
Thursday 26 June 2025 | 7.15pm |
Friday 27 June 2025 | 7.15pm |
Ticket | Price per ticket |
---|---|
Standard | $60 |
Concession* | $45 |
Multipacks (Groups 4+) | $45 |
*Concession applies to full time students and pension card holders
$8.95 booking fee applies per transaction
Prices correct at the time of publication and subject to change without notice. Exact prices will be displayed with seat selection.
Young people under the age of 15 must be accompanied at all times.
The only authorised ticket agency for this event is Sydney Opera House. For more information about Authorised Agencies, see the frequently asked questions below.
Sydney Opera House Insiders pre-sale
9am, Wednesday 30 April 2025
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What’s On e-newsletter pre-sale
10am, Wednesday 30 April 2025
General Public tickets on-sale
9am, Friday 2 May 2025
This event is in English, Ngiyampaa, Yuwaalaraay and Yolŋu Matha languages.
Wheelchair accessible
There are a number of wheelchair and companion seating locations in our theatres. To book accessible seating contact Box Office at:
Telephone
+61 2 9250 7777
(Monday to Friday, 9am-5pm AEST)
Email
bookings@sydneyoperahouse.com
Find out more about accessibility at Sydney Opera House.
Run time
The duration of this event is 115 minutes inclusive of a 15 minute interval.
Part 1
Eric Avery 45 minutes
Interval 20 minutes
Part 2
Stories of Water and Earth 25 minutes
Freshwater Woman 25 minutes
Event duration is a guide only and may be subject to change.
Age
Reccomended for all ages.
Children aged 15 years and under must be accompanied at all times.
The Opera House is committed to the safety and wellbeing of children that visit or engage with us. Read our Child Safety Policy.
Useful information:
The best of First Nations contemporary classical music
Join us for an evening that celebrates First Nations composers’ unique contribution to classical music in Australia.
The first half of the evening will feature Eric Avery, Kabi Marrawuy Mumbulla. Eric is a violinist, vocalist dancer and composer of Ngiyampaa, Yuin and Gumbangirr heritage. His performances feature his family’s custodial songs, vocals and evocative violin playing. With a growing reputation, Eric has performed alongside the likes of Yo-Yo Ma and Tina Arena. He brings a rare and moving presence to the stage.
The second half of the show is Stories of Water and Earth, by leading music group Ensemble Offspring and Darwin-based Arafura Collective. Joining Ensemble Offspring are two incredible First Nations frontwomen. Composer and performer Nardi Simpson will share the creative and cultural practices of the Yuwaalaraay women. Joining Nardi is Djapu mother, poet, storyteller and performer Melanie Mununggurr. Melanie will perform a new long form commission with Netanela Mizrahi. This moving show weaves together cultures, instrumental chamber music, beat poetry and dreaming stories.
This is rare opportunity to experience the best of First Nations contemporary classical music on our stage.
Presented by Sydney Opera House
Program
Part 1
Eric Avery
Voice, violin and loops
Part 2
Melanie Mununggur, Netanela Mizrahi – Stories of Water and Earth
Voice/beatboxing, clarinet, 2 violins, viola, cello, percussion
Part 3
Nardi Simpson – Freshwater Woman
Voice, flute, clarinet/bass clarinet, percussion
Meet the artists
Eric Avery Mumbulla ~ Kabi Marrawuy Mumbulla ~ is a multidisciplinary artist of Ngiyampaa, Gumbangirr, Bandjalang, and Yuin heritage, and a descendant of Jack Biamanga Mumbulla. A violinist, composer, dancer, and language worker, Eric’s practice weaves classical music, Aboriginal culture, and contemporary performance. Learning piano and violin by ear from a young age, Eric refined his craft at Newtown High School of the Performing Arts and later at NAISDA. Eric’s performance and composition highlights include collaborations with Tina Arena, Ensemble Offspring, The Melbourne Symphony Orchestra, The Australian Ballet, The Black Arm Band, and many more. His work often explores the reclamation of Aboriginal language and identity, engaging with healing and connection across generations. He is currently creating new works for violin and voice, and collaborating with his fiancé, vocal artist Ronnie Smith. Eric is a recipient of the Smugglers of Light Award and multiple Australia Council grants supporting international collaborations and cultural development.

Melanie Mununggurr is a Djapu mother, poet, storyteller and performer from the Northern Territory whose work powerfully blends traditional Yolŋu culture with contemporary expression. Her art explores the intersections of motherhood, neurodiversity, queerness and a deep connection to land and culture. Melanie uses Dhuwal language in her poetry as a form of cultural decolonisation, weaving it throughout her work to preserve and celebrate Yolŋu heritage. In 2024, she released her debut spoken word album, Glimmers, a bold and intimate exploration of strength, resilience and First Nations identity. Her first collection of poetry is set to be published in 2025.

Nardi Simpson is a Yuwaalaraay storyteller, singer and songwriter, best known for her soulful voice and connection to her Indigenous heritage. As half of the folk duo Stiff Gins, Nardi has brought First Nations perspectives to contemporary Australian music for over 25 years. Her work explores land, identity and Aboriginal experiences. Her first novel, Song of the Crocodile (2020), won the 2021 ASAL Gold Medal and was longlisted for the Stella Prize and Miles Franklin Award. Nardi’s second novel, the belburd, was released in 2024. She also performs, directs the cross-cultural choir Barayagal at the Sydney Conservatorium of Music, and is pursuing a PhD in music at ANU, committed to preserving and sharing Indigenous culture.

Ensemble Offspring is one of Australia’s most innovative new music ensembles, founded in 1995 by internationally acclaimed percussionist Claire Edwardes. Renowned for their bold and genre-defying performances blending classical, experimental and electronic music, they collaborate with composers worldwide to push the boundaries of sound. The ensemble champions underrepresented voices, including female-identifying, First Nations and emerging artists, and remains at the forefront of Australia’s avant-garde music scene.

Arafura Music Collective is a dynamic group of First Nations musicians from the Northern Territory, blending the sounds of tradition with contemporary music to tell stories of culture, connection and renewal. Drawing on the rich diversity of First Nations musical styles, the collective brings together ancient rhythms and modern influences to create a powerful, unifying sound. Their performances celebrate Indigenous languages and stories, while embracing innovation through new music forms and technology. Arafura’s work fosters cultural exchange, building bridges between First Nations and non-First Nations audiences and helping shape the future of Australian music.

Plan your visit
Venue information
Our foyers will be open 90 minutes pre-show for Concert Hall and Joan Sutherland Theatre performances, and two hours pre-show for Western Foyer venue performances. Refreshments will be available for purchase from our theatre bars.
All Sydney Opera House foyers are pram accessible, with lifts to the main and western foyers. The public lift to all foyers is accessible from the corridor near the escalators on the Lower Concourse and also in the Western Foyer via the corridor on the Ground Level (at the top of the escalators). Pram parking will be available outside the theatres in the Western Foyer.
Getting here
The Sydney Opera House Car Park, operated by Wilson Parking, is open and available to use. Wilson Parking offer discounted parking if you book ahead. Please see the Wilson Parking website for details.
Please check the Transport NSW website for the latest advice and information on travel. You can catch public transport (bus, train, ferry) to Circular Quay and enjoy a six minute walk to the Opera House.
Frequently asked questions
Ticket purchases and collection at our Box Office is discouraged and eTicket or postal delivery methods should be used, wherever possible. However, if you are collecting your tickets from the Box Office, we recommend doing this at least 60 minutes before the event starts. If you have already received your tickets, the venue doors will be open 45 minutes pre-show for Joan Sutherland Theatre performances, and 30 minutes pre-show for Western Foyer venue performances. Please take your seats as soon as you arrive.
If you are late, we will seat you as soon as we can and, where possible, in your allocated seat. However, to reduce movement in the venue as well as minimise disruption to the performance and other patrons, ticketholders may be seated in an allocated latecomer’s seat. Please be aware that some events have lock-out periods. In these cases, latecomers will be admitted at a suitable break in the performance. On occasions, this may not be until the interval, or at all where there is no interval.
Details of our right to refuse admission can be found in our General Terms and Conditions for Tickets and Events.
In accordance with our venue security procedures, Opera House security will be scanning and checking bags under the Monumental Stairs, prior to entering the building. Bags will be scanned by an x-ray machine, and staff will wear appropriate personal protective equipment (PPE) when handling your belongings, such as gloves. Cloaking facilities will be open 60 minutes pre-show for Concert Hall and Joan Sutherland Theatre performances, and 60 minutes pre-show for Western Foyer venue performances. However it is strongly encouraged that you travel lightly to minimise contact and queuing. Any bags larger than an A4 piece of paper will need to be checked into the Cloak Room.
The authorised agency for this event is the Sydney Opera House.
Only tickets purchased by authorised agencies should be considered reliable. If you purchase tickets from a non-authorised agency such as Ticketmaster Resale, Viagogo, Ticketbis, eBay, Gumtree, Tickets Australia or any other unauthorised seller, you risk that these tickets are fake, void or have previously been cancelled. Resale restriction applies. For more details, please refer to our General Terms and Conditions for Tickets and Attendance at Events.
Please contact Box Office on +61 2 9250 7777 as soon as possible to advise if you can no longer attend.
Foyers will be open 90 minutes pre-show for Concert Hall and Joan Sutherland Theatre performances, and two hours pre-show for Western Foyer venue performances. Refreshments will be available for purchase from our theatre bars.
The venue doors will be open 45 minutes pre-show for Concert Hall and Joan Sutherland Theatre performances, and 30 minutes pre-show for Western Foyer venue performances.
Please bring a credit or debit card for any on site purchases to enable contactless payment. You’re welcome to bring your own water bottle but no other food and drinks are permitted inside our venues.
The health, safety and wellbeing of everyone at the Sydney Opera House is our top priority. In line with this commitment, the Opera House became a smoke-free site in January 2022. Read our Smoke-free Environment Policy.
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