Utzon Music 2025 Balanas Sisters
16 February 2025
In the Utzon Room
Classical Music
An Australian and Utzon debut from Latvian-born siblings Kristīne Balanas (violin) and Margarita Balanas (cello), celebrated for their virtuosity and versatility, playing Vasks, Vivaldi, Ravel, Handel/Halvorsen, Cawrse and Hindson.
Date | Time |
---|---|
Sunday 16 February 2025 | 3pm |
Ticket | Price per ticket |
---|---|
Early Bird Offer (expires Monday 16 Dec 11:59pm) | |
Standard (15% off) | $84.90 |
Multipack (purchase two Utzon Music 2025 concerts for 20% off) | $79.90 |
Multipack (purchase three or more Utzon Music 2025 concerts for 25% off) | $74.90 |
General | |
Standard | $99.90 |
Under 30s | $69.90 |
Student* | $25.90 |
Multipack (purchase two Utzon Music 2025 concerts for 15% off) | $84.90 |
Multipack (purchase three or more Utzon Music 2025 concerts for 20% off) | $79.90 |
$8.95 booking fee applies per transaction
*For Student Tickets, you will need to purchase in person at Box Office with valid Student ID. For Box Office information, please click here.
Prices correct at the time of publication and subject to change without notice. Exact prices will be displayed with seat selection.
The only authorised ticket agency for this event is Sydney Opera House. For more information about Authorised Agencies, see the frequently asked questions below.
Early Bird Offer
Sydney Opera House Insiders pre-sale
9am, Tuesday 19 November 2024
Become a Sydney Opera House Insider to receive exclusive pre-sale access
What’s On e-newsletter pre-sale
9am, Wednesday 20 November October 2024
General Public tickets on-sale
9am, Friday 22 November 2024
General Tickets
General Public tickets on-sale
9am, Tuesday 17 December 2024
Wheelchair accessible:
There are a number of wheelchair and companion seating locations in our theatres. To book accessible seating contact Box Office:
Telephone
+61 2 9250 7777
(Monday to Friday, 9am-5pm AEST)
Email bookings@sydneyoperahouse.com
Find out more about accessibility at Sydney Opera House.
Run time
The duration of this event is approximately 75 minutes.
Event duration is a guide only and may be subject to change.
Age
Suitable for all ages.
Children aged 15 years and under must be accompanied at all times.
The Opera House is committed to the safety and wellbeing of children that visit or engage with us. Read our Child Safety Policy.
Music played between siblings has its own deep magic
In this afternoon of musical kinship, The Balanas Sisters centre a work from a giant of Latvian composition Pēteris Vasks, whose austerely beautiful Castillo Interior — inspired by 16th century mystic Teresa of Avila —finds common aesthetic ground with Maurice Ravel’s yearning sonata, written in memoriam of Claude Debussy. Beginning their recital with a Handel Passacaglia originally composed for solo harpsichord, arranged in the 19th century by Norwegian Johan Halvorsen, they return later to their own arrangement of excerpts from another baroque favourite: light and storm from Antonio Vivaldi’s Four Seasons, played with sisterly mischief. And in honour of their Australian debut, the Balanas Sisters have chosen Matthew Hindson’s Always on Time, and Anne Cawrse’s aptly named Sanctuary. We’re rapt to welcome Kristīne and Margarita, who are justly lauded as two of the most exciting artists of their generation — both as soloists, and when playing together in this symbiotic duo.
Presented by Sydney Opera House
Artist Information
Kristīne Balanas
violin
Margarita Balanas
cello
Program
George Frideric Handel arranged Johan Halvorsen Passacaglia in G minor
Anne Cawrse Sanctuary
Antonio Vivaldi arranged Balanas Sisters The Four Seasons (excerpts)
Matthew Hindson Always on Time
Pēteris Vasks Castillo Interior
Maurice Ravel Sonate pour violon et violoncelle
Plan your visit
Venue information
Our foyers will be open 90 minutes pre-show for Concert Hall and Joan Sutherland Theatre performances, and two hours pre-show for Western Foyer venue performances. Refreshments will be available for purchase from our theatre bars.
All Sydney Opera House foyers are pram accessible, with lifts to the main and western foyers. The public lift to all foyers is accessible from the corridor near the escalators on the Lower Concourse and also in the Western Foyer via the corridor on the Ground Level (at the top of the escalators). Pram parking will be available outside the theatres in the Western Foyer.
Getting here
The Sydney Opera House Car Park, operated by Wilson Parking, is open and available to use. Wilson Parking offer discounted parking if you book ahead. Please see the Wilson Parking website for details.
Please check the Transport NSW website for the latest advice and information on travel. You can catch public transport (bus, train, ferry) to Circular Quay and enjoy a six minute walk to the Opera House.
Frequently asked questions
Ticket purchases and collection at our Box Office is discouraged and eTicket or postal delivery methods should be used, wherever possible. However, if you are collecting your tickets from the Box Office, we recommend doing this at least 60 minutes before the event starts. If you have already received your tickets, the venue doors will be open 45 minutes pre-show for Joan Sutherland Theatre performances, and 30 minutes pre-show for Western Foyer venue performances. Please take your seats as soon as you arrive.
If you are late, we will seat you as soon as we can and, where possible, in your allocated seat. However, to reduce movement in the venue as well as minimise disruption to the performance and other patrons, ticketholders may be seated in an allocated latecomer’s seat. Please be aware that some events have lock-out periods. In these cases, latecomers will be admitted at a suitable break in the performance. On occasions, this may not be until the interval, or at all where there is no interval.
Details of our right to refuse admission can be found in our General Terms and Conditions for Tickets and Events.
In accordance with our venue security procedures, Opera House security will be scanning and checking bags under the Monumental Stairs, prior to entering the building. Bags will be scanned by an x-ray machine, and staff will wear appropriate personal protective equipment (PPE) when handling your belongings, such as gloves. Cloaking facilities will be open 60 minutes pre-show for Concert Hall and Joan Sutherland Theatre performances, and 60 minutes pre-show for Western Foyer venue performances. However it is strongly encouraged that you travel lightly to minimise contact and queuing. Any bags larger than an A4 piece of paper will need to be checked into the Cloak Room.
The authorised agency for this event is the Sydney Opera House.
Only tickets purchased by authorised agencies should be considered reliable. If you purchase tickets from a non-authorised agency such as Ticketmaster Resale, Viagogo, Ticketbis, eBay, Gumtree, Tickets Australia or any other unauthorised seller, you risk that these tickets are fake, void or have previously been cancelled. RESALE RESTRICTION APPLIES. For more details, please refer to our General Terms and Conditions for Tickets and Attendance at Events.
Please contact Box Office on 9250 7777 as soon as possible to advise if you can no longer attend.
Foyers will be open 90 minutes pre-show for Concert Hall and Joan Sutherland Theatre performances, and two hours pre-show for Western Foyer venue performances. Refreshments will be available for purchase from our theatre bars.
The venue doors will be open 45 minutes pre-show for Concert Hall and Joan Sutherland Theatre performances, and 30 minutes pre-show for Western Foyer venue performances.
Please bring a credit or debit card for any on site purchases to enable contactless payment. You’re welcome to bring your own water bottle but no other food and drinks are permitted inside our venues. Opera Bar, Opera Kitchen and Portside are also available for you to enjoy.
The health, safety and wellbeing of everyone at the Sydney Opera House is our top priority. In line with this commitment, the Opera House became a smoke-free site in January 2022. Read our Smoke-free Environment Policy.
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