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  • Using Creativity in the Classroom

    • On-demand

    Creative Leadership in Learning (CLIL) is an immersive program for schools that uses the artistic and creative resources of the Sydney Opera House to explore creativity as a teaching technique. The Sydney Opera House has designed a dynamic and teachable creativity framework that forms the basis for a 3-year partnership with schools.

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  • Lansvale Public School Boat of Dreams

    • On-demand

    Students from Lansvale Public tell history and humour with musician Luke Escombe. As part of our Creative Leadership in Learning program, Luke collaborated with the students to co-create two songs; 'Boat of Dreams' and 'Asian Supermarket' in a celebration of their identity.

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  • On The Level

    • On-demand

    Candid, in-depth, and always revealing, On The Level catches up with artists during their visit to the Sydney Opera House, discussing their careers, inspirations, and preparations for their performance.

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    Brian Cox, an actor with pale skin, white hair and a beard.

  • Meet Julie Vivas, illustrator of Possum Magic

    • On-demand

    Drawing inspiration form the world around her, listen to Possum Magic illustrator Julie Vivas talk about the process behind her beautiful drawings.

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  • Simone Young conducts Mahler 2

    • Livestream

    To celebrate the reopening of the Concert Hall, and a season of new beginnings, the Sydney Symphony Orchestra turn to Mahler’s mighty Second Symphony with new Chief Conductor, Simone Young.

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  • Piano Day | Andrea Lam, Amanda Palmer, Ian Munro, Vatche Jambazian & Zubin Kanga

    • On-demand

    Piano Day 2022 features an exclusive broadcast of new performances by classical, experimental and contemporary musicians including Andrea Lam, Amanda Palmer, Ian Munro, Vatche Jambazian and Zubin Kanga.

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  • Sampa The Great - Final Form

    • On-demand

    Sampa The Great presents An Afro Future, with special guests Mwanjé, KYE and sounds by C.FRIM.

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    A woman wearing a dress.

  • Music at the House H.E.R.: Focus / Let Me In / Lights On

    • Contemporary Music
    • On-demand

    Mysterious trap soul heartbreaker H.E.R. finally made her roof-shaking Australian debut at Vivid LIVE 2018. Watch three tracks from her incredible performance in the Joan Sutherland Theatre.

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  • Yu Araki (Japan)

    • On-demand

    Yu Araki, Bivalvia: Act II (L) (2021), HD video, colour, sound, 21:04. Commissioned by The Sydney Opera House for Returning with support from the Arts Commission Yokohama (ACY) and The Japan Foundation, Sydney and The Japan Foundation, Japan. Continuing Araki’s interest in bivalves, the scientific name for the marine mollusc, Bivalvia: Act II (L) is an experimental film that features an intricate, singing lace oyster puppet as its centrepiece. Throughout a patchwork of intimate and comforting scenes, the oyster performs Italian composer Jacopo Peri’s opera L’ Euridice which animates the Greek myth of Orpheus, a great musician, who journeys into the underworld to revive his wife Eurydice who has been fatally injured. Bivalvia: Act II consists of two companion pieces, Bivalvia: Act II (L) and Bivalvia: Act II (R), the latter which can be viewed on The Japan Foundation’s exhibition, 11 Stories on Distanced Relationships: Contemporary Art from Japan.

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  • Caroline Garcia (Australia)

    • On-demand

    Caroline Garcia, Force of a .22 Calibre Bullet (2021), digital video, colour, sound, 7:55. Commissioned by The Sydney Opera House for Returning with support from The Japan Foundation, Sydney. Filmed on a body camera, typically used by the police force, Caroline Garcia’s Force of a .22 Calibre Bullet is an experimental mediation of grief, violence and resistance. Taking inspiration from the mantis shrimp, which smashes its victim’s shells with the force of a fired bullet, Garcia performs a series of boxing exercises, appearing as if she is manipulating footage of the mantis shrimp composited into the frame. Framing the violence of her actions is a mediation soundtrack of Indigenous Filipino instruments by Canadian filipino group Notu. Against this juxtaposition of Garcia’s violent exercises, the calming meditation and the allusion to surveillance through her video, Garcia creates a timely statement about the relationship between power, violence and regeneration.

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